10 More Magical Movie Moments

1. 4 Weddings and a Funeral: 1994

Written by Richard Curtis who also wrote Love Actually and Notting Hill among others. Directed by Mike Newell whose movies crossed all genres, including Donnie Brasco, Love in the Time of Cholera, Great Expectations, and Harry Potter and The Goblet of Fire.

The moment for me in this movie involves Rowan Atkinson who plays a clergyman. At one of the weddings the character played by Kristin Scott Thomas tells him that his first wedding is like the first time one has sex. Rowan Atkinson’s face is good enough on its own but he gives this small embarrassed laugh, more of a snigger, a small sound which he repeats while turning his face away. How does he do that? It seems so creative to me. I’m laughing here as I’m writing . . .

2. The Beast with Five Fingers: 1946

This horror movie was a short story in the first place, written by W. F. Harvey and then became a screenplay writtend by Curt Siodmak. Rober Florey directed the movie. He directed other horror films as well as the first Marx Brothers feature, The Cocoanuts.

The story revolves around a death, relations and a will. The left hand of the corpse is cut off and begins to creep around at night and to play the piano. The film is in black and white and the hand glows as it moves. I saw this movie when I was about ten and it haunted me all my youth and gave me many nightmares. The moment that stands out is when a friend, played by Peter Lorre, catches the hand and tries to throw it into the fire but it leaps out and strangles him. I can just about stand to think about it now!

3. Schlinder’s List: 1993

Such a wonderful movie altogether, and my favourite moment is when we first see Oscar Schlinder (Liam Neeson) as he enters a room full of people. The camera is behind him at head level so we can appreciate how tall and imposing a figure he was. I loved that. The film was directed by Spielberg, and adapted for the screen by Steven Zaillian. The original book was called Schlinder’s Ark and was written by Australian writer, Thomas Keneally.

4. Babette’s Feast: 1987

This Danish movie was directed and written by Gabriel Axel who based the screenplay on the short story written by Karen Blixen (with whom I share a birthday!). In Danish – Babettes Gaestebud. It is set in the 19th century and tells the story of two sisters living in a village in Jutland in West Denmark. They are members of a very strict Protestant sect begun by their father, and we get their sad back stories as the movie goes along. Babette arrives at their door in the middle of a storm. She has escaped from the war in Paris and has a letter of introduction from Philippas’s old suiter, Papin. Babette keeps house for them. When she wins the French lottery she offers to cook a real French meal for the sisters and all the villagers, who live sober, controlled lives without much laughter. The moment I enjoyed the most is the kitchen scene while Babette is cooking; the heat; the smells; the tastes; it’s a magical scene. This movie is in my top ten list and won the Oscar for Best Foreign Language Film.

5. There Will Be Blood: 2007

This movie, written and directed by Paul Thomas Anderson, is based on a 1927 novel “Oil!” by Upton Sinclair. It stars Daniel Day Lewis as Daniel Plainview, the oil man trying to convince the locals, in a pit mine hole in New Mexico, that this search for oil will benefit them. However he is opposed by Eli Sunday (Paul Dano) a local preacher. The film is magnificent on every front; it is a huge film. The stand-out moment in my memory is when Eli Sunday forces Daniel Plainview to his knees – the faces of those men, the acting, is amazing. It’s the kind of movie that makes me very quiet when I leave the cinema thinking – less than ten euro for all THAT!

6. Gone With The Wind: 1939

I won’t say much about this movie; everyone knows everything about it! It was produced by David O Selznick. The screenplay was written by Sydney Howard, adapted from the 1936 novel by Margaret Mitchell. And I’m sure no one will be surprised when I say the moment in this movie is when Scarlett, in a red, red dress appears in the doorway at Melanie’s party, when she is suspected of having an affair with Melanie’s husband, Ashley. Head up, shoulders back, brazening out the stares.

7. Strictly Ballroom: 1992

This Australian rom com was written and directed by the wonderful Baz Luhrmann (Moulin Rouge and Romeo and Juliette). It was based on a play written by himself and fellow students while they were studying drama in Sydney. It is much more than a rom com of course. For anyone who loves dance movies this one is a must. It follows the lives of two young dancers – Scott (Paul Mercurio) and Fran (Tara Morice) as they struggle to remain partners and to try some innovative moves. For me, the magic happens when the Paso Doble is danced, not by the young ones, but by Fran’s father and grandmother. You’d have to stand up and clap!

8. The Apartment: 1960

Staring Jack Lemmon, Shirley MacLaine, and Fred MacMurray, this movie is a total delight from start to finish. Produced by Billy Wilder, and written by him with I. A. L. Diamond. “Bud” Baxter works for an Insurance Company and in the interests of getting promotion he lends his flat out to his boss for illicit meetings with his mistress. Soon, others want to use the flat as well and Bud’s life gets very complicated. He’s in love with the lift girl (MacLaine) and it all ends well eventually. I’m sure everyone knows what scene I’m going to mention. Of course it’s Bud straining spaghetti through a tennis racket. Jack Lemmon is one of my favourite actors; he can play anything. Look at him in in Glengarry Glen Ross or Days of Wine and Roses.

9. La Belle et La Bete: 1946

I fell in love with this film the first time I saw it many years ago. If you like fantasy and magical scenes you might want to look it up. It is truly beautiful, gorgeous, sumptuous, fantastic, dazzling, and dreamlike. The film was directed by Jean Cocteau, poet and film maker, adapted from a story written in 1757 by Jeanne-Marie Leprince de Beaumont. It stars Josette Day as Beauty, and Jean Marais as the Beast. One of the stand-out moments (and there are many) is this; Beauty is floating along a corridor in the castle and as she passes, hands holding blazing torches reach out from the wall to light her way. I’m going to have to watch this again now!

10. Some Like it Hot: 1959

In a movie where every scene is one to remember, all I can say is, “Nobody’s perfect!”

I hope any movie lovers who read this have enjoyed the list. I’ll have to do a final one with modern movies this time.

Bones

A touch of colour and my face

Jumps into focus

Don’t look too close –

Disintegration has begun

And death will lend it speed

Until my bones are bare and

Waiting for the second coming

 (And won’t my pale bones

Jump and rattle

Expecting light and mercy

New flesh to cling and bring them

From the dark

No mercy from the scald of light

No paint can hide

The fright behind my eyes.

THERE WAS A TIME . . .

In the dim, silent church

A glow of votive lamps

Fluttering blue and gold and red

Whispered prayers in corner shrines

Beneath the outstretched hands

Of painted saints

Beads clicking, slowly told

Sundays burst in glory

Sweet choir lifting voice

The Truth sang in my mouth

I filled my eyes with bright

And lustrous threads

The golden flame of candles

Veiling mysteries at the altar

The heavy scent of flowers

Inhaled security

And a weightless peace

In certain knowledge of hereafter

Our hearts were warm, absolved 

Beloved of our maker

And safe in the house of God.

Fairies: The Stolen Child by William Butler Yeats – an excerpt

I have read many reviews of books about, or including, fairies; they put me in mind of Yeat’s poem “The Stolen Child” which he wrote in Co Sligo, in Glencar (original Irish name Glenn an Chairthe – the glen of the standing stone). I was there many years ago; it’s a magic, beautiful place, so green and full of water. Here is an excerpt from the poem:

Where the wave of moonlight glosses

The dim grey sands with light,

Far off by furthest Rosses

We foot it all the night,

Weaving olden dances,

Mingling hands and mingling glances

Till the moon has taken flight;

To and fro we leap

And chase the frothy bubbles,

While the world is full of troubles

And is anxious in its sleep.

Come away, O human child!

To the waters and the wild

With a faery, hand in hand,

For the world’s more full of weeping than you

can understand.

Where the wandering water gushes

From the hills above Glen-Car,

In pools among the rushes

That scarce could bathes a star,

We seek for slumbering trout

And whispering in their ears

Give them unquiet dreams;

Leaning softly out

From ferns that drop their tears

Over the young streams.

Come away, O human child!

To the waters and the wild

With a faery, hand in hand,

For the world’s more full of weeping than you

can understand.

Donnacha

Four Aprils old

His heart knows

Only joy

Proud and brave

He stands up straight

In uniform

My girl intent

Upon his lunchbox

Putting in

Taking out

Balancing . . .

Her eyelids not quite dry

I look at her

She looks at him

He waves at me

We spin in a ring of love

And recognise the day

Of separation

Today’s Ulster Poet: Cathal ó Searcaigh (translated from Irish)

CLABBER: THE POET AT THREE

“That’s clabber! Clutching clabber

sucks caddies down,” said my father harshly

while I was stomping happily

in the ditch on the side of the road.

“Climb out of that clabber pit

before you catch your death of it!”

But I went on splattering and splashing,

and scattering whoops of joy:

“Clabber! Clabber! I belong to it,”

although the word meant nothing to me

until I heard a squelch in my wellies

and felt through every fibre of my duds

the cold tremors of awakening knowledge.

O elected clabber, you chilled me to the bone.

(Clábar is the Irish word for mud.)