“A Friendship” by William Trevor, from the “After Rain” collection. | A Review

William Trevor often makes me laugh. There are situations in his novel, “The Old Boys” that I remember at odd times and that make me laugh out loud no matter where I am. And this story does the same, but only at the beginning. It’s a thing that William Trevor does – you think the story is about one thing but it turns into something else entirely. The friendship in question is between Francesca, married to pompous Philip and with two sons, and Margy who livens up Francesca’s life with tales of her various love affairs. The two have been friends since childhood but have very little in common. As Trevor says:

“Their common ground was the friendship itself.”

Francesca seems an ethereal creature, tall and blonde, hardly aware of her surroundings, or of what her boys are up to. Margy, however, sees everything, She is small, dark, quick, with a touch of spite, especially where Francesca’s husband is concerned. And this spite is what eventually wrecks the friendship. Philip doesn’t help  himself however; he is known as “bad news” in their dinner circle:

” . . . he displayed little interest in the small-talk that was, increasingly desperately, levelled at him . . . he was not ill at ease; others laboured, never he.”

Margy, on the pretense that it was time she thought about settling down, proposes that they contact their old college friend, Sebastian. But Sebastian had always fancied Francesca, and shortly after they all meet up for lunch, he and Francesca begin an affair. Margy facilitates this by lending them her apartment from time to time.  Philip finds out by accident, a slip in conversation:

“Oh heavens, I’ve said the wrong thing!”

Philip pretends that he and Francesca often meet up with Sebastian. He confronts Francesca, who is contrite and says it wasn’t much. They have a row, clear the air, and decide to continue as before, with one difference:

“‘Drop me?’, Margy said, and Francesca nodded . . . ‘It’s how Philip feels.'”

“On the pavement . . . they stood for a moment in a chill November wind, then moved away in their two different directions.”

This is the body of the story, but it begins with Francesca’s two sons, aged six and eight, pouring wet cement into their father’s new golf bag, complete with new clubs. Even thinking about this makes me laugh. Trevor writes it down in such a matter of fact way, without as much as an exclamation mark.

“Sharing the handle of the bucket, they found they could manage to convey their load . . . they had practised; they knew what they were doing.”

“‘We know nothing about it,’ Jason instructed his brother. ‘Nothing about it,’ Ben obediently repeated.”

Francesca is oblivious; Margy sees it straight away but says nothing and the four sit down to lunch. Ben decides to break the monotonous silence and mentions his teacher:

“‘Miss Martindale’s mother died . . . a man interfered with her.'”

His mother is shocked but Margy is amused.

“Ben said all the girls had cried, that Miss Martindale herself had cried, that her face was creased and funny because actually she’d been crying all night. Margy watched Jason worrying in case his brother went too far.”

And that’s all there is about the boys, except for a sentence to say that when tackled by their angry father they said it was just a joke. But for me, they make the story memorable. I loved the pair of them. Very often children are interesting and exciting and you wonder what will become of them. But generally very little does; they grow up and stop pouring cement into new golf bags.

Has anyone else read William Trevor? I love his short stories, much better than his novels, I think. And I would say the same for D H Lawrence and W Somerset Maugham.

A Review of “Life for Sale” by Yukio Mishima

I was interested to read “Life for Sale” as I am not familiar with Japanese writers – except for Kazuo Ishiguro who grew up, and lives, in Britain.

The protagonist, Hanio Yamada, fails to commit suicide and decides to put his life up for sale, hoping that someone else will do the job for him. There follows a series of adventures as different buyers turn up with a proposition but no situation works out as planned and he remains alive, becoming wealthy as each sale brings in a lot of money – and a few dead bodies.

The book is well paced and so quotable! (I had to choose among so many.) It is a surreal tale with impossible scenarios, including one with a vampire:

“There was a lustrous quality, for sure, but it was the lustre of a corpse. The faint boniness of her arms betrayed her extreme thinness. And yet her breasts were full and firm, while her stomach was soft and white like a vessel brimming with an abundance of rich milk.”

And I did laugh out loud a few times:

“A dead body reminds me a bit of a bottle of whisky. If you drop the bottle and it cracks, what’s inside pours out. It’s only natural.”

“Tall, and probably rather snooty, the steward had clearly just spent a lot of effort squeezing blackheads. “

Eventually Hanio has to re-think his life and his decisions.

“How fearless, utterly fearless he had felt when he first put his life up for sale! But now, a warm furry fear clung to his chest, digging its claws right in.”

I don’t think I’ll re-read this book but I did really enjoy it. It’s the sort of book where you jump in and see where it takes you. You immerse yourself in the strange world of Hanio and that way you get the best out of it. I will definitely try this author again.

A Review of “French Exit” by Patrick de Witt

This is Patrick de Witt’s latest book, his fourth, published in 2018 and it certainly lives up to the standard of the other ones. Ablutions, the first, The Sisters Brothers next, and Undermajordomo Minor – I love them all. It is impossible to categorize them as they are all completely different.

So, French Exit – as the title implies is mostly set in France although the first quarter of the book is set in New York. It is a wonderful romp of a book – you’d pick it up with a smile of anticipation. The main characters are the wealthy Frances Price and her son, Malcolm. Frances is beautiful and elegant and totally irresponsible. Malcolm is vague and pleasant. He is engaged to Susan, a girl he professes to love but can’t quite commit to.

The story takes off when Frances realises she has spent all her money and is completely broke. The pair decide to go and live in France when a friend offers them an apartment in Paris. They sell everything they have left, jewellry, pictures and furniture and take  all the cash with them. They also bring their cat, Small Frank, so called because Frances believes him to be a reincarnation of her husband, Franklin.

To give a small flavour of the text:

‘Frances sniffed the flowers and asked, “Who has died, and what was their purpose, and did they fulfill their potential?” The doorman didn’t hazard a response. Frances made him uneasy; he believed there was something quite wrong with her.’

‘Frances suddenly became aware of the chair’s dimensions. It was an exciting thing to know and she was happy she’d been told about it. “What did he choke on?” she asked. “Ah, lamb.” “And have you eaten lamb since?” “No. But, you know, I never liked lamb much in the first place.”‘

‘Tom’s foremost characteristic was his handsomeness; his second was his normality; his third was his absolute lack of humour; his fourth, his inability to be embarrassed.’

In France they pick up an entourage of hangers-on, impossible to describe. I have looked for quotes to illustrate them but it’s impossible to take them out of context.

The book is very funny but all along it has a darkness to it. It is perfectly shaped and paced and I can only recommend that you read it.