“Donnacha” from MINUS ONE

Four Aprils old

His heart knows

Only joy

Proud and brave

He stands up straight

In uniform

My girl intent

Upon his lunchbox

Putting in

Taking out

Balancing . . .

Her eyelids not quite dry

I look at her

She looks at him

He waves at me

We spin in a ring of love

And recognise the day

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Donnacha

Four Aprils old

His heart knows

Only joy

Proud and brave

He stands up straight

In uniform

My girl intent

Upon his lunchbox

Putting in

Taking out

Balancing . . .

Her eyelids not quite dry

I look at her

She looks at him

He waves at me

We spin in a ring of love

And recognise the day

Of separation

A poem for “My Girl”

The music filled the room

We pushed the table back

Stacked the chairs and

Formed a ring to watch

My daughter dance

Spangled eyes alight

With joy of movement

She whirled, birled

Arms and legs abandoned

And while she whirled she changed

Grew, evolved, emerged

A stranger unconnected

All her own self, on her own

Future firing headlong

Detached from my detaining hands

The beat drummed louder

Finished and the stranger sank

Triumphant, flushed and

Laughing, enjoying our applause

Turned to me for confirmation

My girl again

But never quite the same.

Endings . . .

Many books have very disappointing endings, especially thrillers. The last few chapters are boring dreary things with the detective/policeman/woman explaining in tedious detail how she/he unraveled the plot. With other genres it’s as if the writer flounders a bit and doesn’t know quite where to finish the tale. But then there are wonderful books with wonderful endings and here are a couple of them:

The Shipping News by Annie Proulx

Quoyle experienced moments in all colors, uttered brilliancies, paid attention to the rich sound of waves counting stones, he laughed and wept, noticed sunsets, heard music in rain, said I do. A row of shining hubcaps on sticks appeared in the front yard of the Burke’s house. A wedding present from the bride’s father . . . Water may be older than light, diamonds crack in hot goat’s blood, mountaintops give off cold fires, forests appear in mid-ocean, it may happen that a crab is caught with the shadow of a hand on its back, that the wind be imprisoned in a bit of knotted string. And it may be that love sometimes occurs without pain or misery.”

The Goldfinch by Donna Tartt

“And I add my own love to the history of people who have loved beautiful things, and looked out for them, and pulled them from the fire, and sought them when they were lost, and tried to preserve them and save them while passing them along literally from hand to hand, singing out brilliantly from the wreck of time to the next generation of lovers, and the next.”

Ablutions by Patrick de Witt

“I will try to be happy, you think, and your heart and chest feel a plummeting, as in the case of the hurtling rollercoaster, and your heart wants to cry and sob, but you, not wanting to cry, hit yourself hard in the center of your chest and it hurts so much but you drive on, your face dry and remaining dry, though it had been a close call, after all. Time passes and you shake your head. Work will drive you crazy if you let it, you say. You do not speak for a long time after this.”

I can read these books any number of times. Every word is in the right place, the last sentence as important as the first.

“ALMOST WHOLE” a poem about love and loss.

The punch is spiked with glory

My senses leaping and alive

For tonight to listen is enough

And through the music of the music

Runs an old familiar voice

A thread of scarlet joy, moving

In my blood, weaving through my heart

And lungs and lights, pulling tighter

Ever tighter ‘til I scarcely breathe

Caught like a bunch of doe-eyed pansies

My eyes are dark and wild with wonder

At such intensity of being

That I must weep for being almost whole.

amazon.com/author/elizabethmerry